Film Storyboard
Professional film production storyboard with 16:9 panels, shot details, dialogue sections, and technical notes. Industry-standard format for video production.
Available Variables
Use these variables with Handlebars syntax {{variableName}} in your content.
{{date}}January 2025
{{title}}The Last Light
{{version}}v2.1
{{director}}James Anderson
{{subtitle}}A Short Film Storyboard
{{vfxNotes}}Dust particles in light beams (practical + enhanced). Subtle lens flare on flashlight. Color grade: desaturated blues.
{{char1Line}}No... this can't be right.
{{char1Name}}MAYA
{{char2Line}}Everything I thought I knew... was a lie.
{{char2Name}}MAYA (V.O.)
{{sceneTime}}NIGHT
{{shot1Desc}}Establishing shot of the warehouse interior. Dust particles visible in moonlight streaming through broken windows.
{{shot2Desc}}Maya enters frame from left, flashlight cutting through darkness. Her expression shifts from determination to shock.
{{shot3Desc}}POV shot revealing what Maya sees - a wall covered in photographs and red string connecting them.
{{shot4Desc}}Extreme close-up of Maya's eyes widening as she recognizes a face in the photographs.
{{sceneTitle}}The Revelation
{{soundNotes}}Ambient warehouse sounds, distant water dripping, Maya's footsteps echo. Score swells subtly on reveal.
{{actionNotes}}Maya moves slowly through the scene, camera tracking her movement. The reveal should be gradual - audience sees the wall before Maya fully processes what it means. Sound design critical here - her breathing becomes audible.
{{sceneNumber}}Scene 12
{{shot1Camera}}WIDE SHOT
{{shot1Number}}12A
{{shot2Camera}}MEDIUM CLOSE-UP
{{shot2Number}}12B
{{shot3Camera}}OVER SHOULDER
{{shot3Number}}12C
{{shot4Camera}}CLOSE-UP
{{shot4Number}}12D
{{lightingNotes}}High contrast lighting. Single moonlight source from window. Practical flashlight creates dynamic shadows.
{{sceneLocation}}INT. ABANDONED WAREHOUSE
{{shot1Duration}}4 sec
{{shot2Duration}}3 sec
{{shot3Duration}}2 sec
{{shot4Duration}}3 sec
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